▲ 2021 Xiling autumn photography
Wang Duo (1592 - 1652) wrote his own poems in ink cursive script in the earliest years of his existence
Paper hand roll
Made in 1622
Published: Wang Duo chronology (Volume 4), P8-11, Zhonghua Book Company.
Description: Wang Duo chronology (Volume I), p66, Zhonghua Book Company.
For poems and articles, see: Wang Duo’s poetry collection p172175, Henan people’s publishing house, 2012.
Note: ye Gongchao, Chen Zihe and Yuan Shouqian’s postscript. Zhu jiuying’s old collection is directly obtained by the client from his family members.
This volume is the self written poem volume of Wang Duo’s 1622 cursive script collected by Mr. Zhu jiuying (hereinafter referred to as Xiling volume), which is fully known as the earliest complete cursive work of Wang Duo. The appearance of this Xiling scroll pushed forward the time of Wang Duo’s early cursive works.
Xiling scroll was written as early as 1624 when it was recognized by the academic circles as “cursive calligraphy comes to Wang Xizhi to pick chrysanthemums and increase emotion” (collected by Sichuan Provincial Museum). It is now known that Wang Duo’s earliest calligraphy work is the regular script engraved on the stele. In 1619, he made the tomb table of Mr. Wu YANGCHONG, the recluse of the Ming Dynasty, and his children Zhang (collected by Jiyuan Museum); It is also suspected that it is the poetry manuscript of Gengshen, the city tower of Yiyang in the poetry manuscript of Wang Duo in 1620. As a complete cursive calligraphy work of Wang Duo, Xiling scroll is of great significance.
1622 was the year of Jinshi in Wangduo middle school. He wrote Chen Yao, the eldest uncle of Weinan county magistrate at that time, and elected Shuji scholars to the Imperial Academy in June. In addition to roaming in spring and evening, other poems in Xiling volume can be found in Volume 2, Volume 3 and Volume 6 of the five laws of the first collection of quasi mountain garden. There are many similarities and differences in the text. As poems and essays, they can be used as the original manuscript view, and they are also the earliest existing poetry and prose objects.
Drawing heart: 320 × 29cm postscript: 32 × 29cm
Book Shadow and inner pages of publications
Thunderbolt tongue on paper
Yunxiu Heluo
——In the same year of renxu, Ni Yuanlu titled preface to the first episode of Wang Jue Si
This volume is the self written poem volume of Wang Duo’s 1622 cursive script collected by Mr. Zhu jiuying (hereinafter referred to as Xiling volume), which is fully known as the earliest complete cursive work of Wang Duo. The appearance of this Xiling scroll pushed forward the time of Wang Duo’s early cursive works.
Xiling volume: the year of Wang Duo renxu (1622)
“Self composed poems in cursive script” (part)
Sichuan Museum Collection: Jiazi year of Wang Duo (1624)
“Cao Shu Lin Wang Xizhi picks chrysanthemums and adds emotion to the calligraphy axis” (part)
The inscriptions in Jiyuan museum were made in 1619
“Tomb table of Mr. Wu YANGCHONG, the recluse emperor of Ming Dynasty, and his wife Zhang”
Xiling scroll was written as early as 1624 when it was recognized by the academic circles as “Cao Shu Lin, Wang Xizhi picking chrysanthemums and adding emotion to the calligraphy axis” (collected by Sichuan Museum). It is now known that Wang Duo’s earliest calligraphy work is the regular script engraved on the stele. In 1619, he made the tomb table of Mr. Wu YANGCHONG, the recluse of the Ming Dynasty, and his children Zhang (collected by Jiyuan Museum); It is also suspected that it is the poetry manuscript of Gengshen, the city tower of Yiyang in the poetry manuscript of Wang Duo in 1620. (the article “textual research on Wang Duo’s poetry manuscript” holds that the poetry manuscript did not come from Wang Duo, and there is a saying that Gengshen is the day rather than the year) Xiling scroll, as Wang Duo’s complete cursive calligraphy work, is of great significance.
At the age of 15, Wang Duo refined the preface of the Holy Church, which was the beginning of the article. His Uncle Chen Yao was influenced by his liver and gallbladder articles. Learning from ancient times is his way to get started. He took the two kings of the Eastern Jin Dynasty as his ancestors, and went up to Zhang Zhi and Zhong Yao, and down to the families of the Southern Dynasty. His Dharma calligraphy is mainly Chunhua Pavilion calligraphy, and there are also engraved calligraphy such as Shaoxing rice calligraphy, Jiang calligraphy, Tan calligraphy, Daguan calligraphy, Taiqing building calligraphy, Baojin Zhai calligraphy and so on. He once said that “Yu has been engaged in this way for decades, all based on the ancients, and dare not act recklessly. Therefore, the ancient book is like Deng huohua, and his self-consciousness is not caught.”
Wang Duo has the deepest Kung Fu and the highest achievement in cursive script. Xiling scroll mainly presents the central front, and turns back to the front in the round turn, paying attention to implication; At the same time, he joined the folding front to increase his strength. It can be seen that it is similar to his 1624 work “cursive calligraphy comes to Wang Xizhi to pick chrysanthemums and add emotion to the calligraphy axis”.
Compared with his mature cursive script, this volume has little change in lifting and pressing, and the vibration of strokes is not so obvious. The same is that Wang Duo’s use of ink color has used the change of thick and dry to create the expression of ink color level. In some words, such as “analogy”, there has also been a natural “ink rising” effect, but generally speaking, the use of these skills is not as obvious as that in the mature period. Because Wang Duo has a deep foundation of orthodox calligraphy, this volume of cursive calligraphy is not rough and grotesque, and is gentle and comfortable in composition.
The various versions of Wang Duo’s book “collection of quasi mountain gardens” have been described in detail in the article “examination of Wang Duo’s engraved collection”. In addition to roaming in the spring evening, other poems in Xiling volume can be found in Volume 2, Volume 3 and Volume 6 of the five laws of the first collection of quasi mountain garden. There are many similarities and differences in the text.
The “Ziyan Temple”, “Baisha village” and “Mianchi” mentioned by Wang Duo in the volume are all Henan place names. We found many poems with similar topics in the published collection of Wang Duo’s poems, which should be written by him who often visited these places.
The Xiling scroll shows that Wang Duo is very good at using allusions, including “Sun DengXiao”, “Liang Fu chapter”, “Ao ghost mother”, “Xihe knocking on the sun glass”, etc., especially for a large number of references to Li He’s allusions. Five of the seven poems salute Li He.
In addition, the comparison between the two poems in Xiling volume and the published poetry collection is quite interesting. One is Ziyan temple in the west of the city. This volume is “when a guest looks for a monk, no one knocks the chime”, while the published version is “when the smoke of Noda falls, the chime of empty mountain always”, from “no one” to “ring”. This creative change is worth pondering; Another song, “Gu Yi Shan Ju”, this volume is “moistening the juice broom and burning the piano”, and the published version is “moistening the head, defeating the wall and burning the piano in the market”.
“Tumi”, “Tang poetry and Song Ci are mostly used with words such as powder, face value and Huang Qiongxiang… This flower is used as a tea bush, with the wine number Tumi. The flower color is similar, so it returns to youYou”; “Poetry · CI pin” contains “(Wen and Ke, Ge Luqing) two public poems all use” Ci things, people rarely know, so they are detailed and sparse “. It can be seen that at this time, Wang Duo mostly pursued the” gorgeous “of Ci, but it was not finalized.
Compared with the published poetry collection, Xiling volume poetry can be used as the original manuscript, and it is also the earliest existing poetry material object. Calligraphy has the advantage of being close to historical facts, which is more rare than poetry.
Ye Gongchao, Chen Zihe and Yuan Shouqian’s postscript
In the second year of the apocalypse, renxu was a scholar in the same year, and a large number of famous scholars came out. Wang Duo of Henan, Huang Daozhou of Zhangzhou, Ni Yuanlu of Shaoxing