Introduction

Habitat Design Life Festival, co-hosted by the International Stone Fair in Google and the Habitat Space Designers Club. The Habitat space design exhibit, which is the core of the Habitat design life section, also lays the groundwork for the design and review of life festivals. As a social practice, space exhibits are a comprehensive reflection of the values of the beauty and creators of the times, and serve as an inspirational story for viewers. In 2023, the Habitat Space Design exhibit was featured as “rocks and inters”.

What are the ideas and perspectives that the designers will take into account in policy space? How will designers clash with different brands? How long do this take place from being given the subject matter to the programme? What are the difficulties that will be encountered in this process? In response, we invited policy makers and branders to engage in a dialogue on space for exhibits, and we would like to share the stories behind the exhibit in their perspective, thus bringing different inspiration and reflection to the audience.

Topics of policy exhibit, Turin

Net white pictures, such as the footprint of mountain ranges, are fine-tuned. Paving, floating air, uprooting and fragmentation. Where is left, as is the peak, the snow and snow go. Kalala white rocks are in a different way, as ink painted on white paper in Chinese water.

The white nightmare, silver lenses from different perspectives, positive, side-by-side, top, igniting the different sentiments of each individual and walking each other, leaving the difference in life. There is uncertainty and smoothness in design.

The Chinese Red, a white, purely ink space painted a penultimate, stimulating your visual sensors and igniting you with calcular blood. The radius of the lenses, “he” started as if he had been empty, skyeding and igniting red fires. There is no odour in the garden.

Chart of the effect of the Rock

Policymakers and brands Q&A

Understanding and participation

Q1: Over the years, with the continuous replacement of the stone industry, there have also been many innovative attempts to learn about what was known about the stone before the teacher of Zhao and why would he choose to participate in this policy exhibit?

A1: Zhao for peace: the use of stoning is over centuries old and immutable material. Over the years, we have been using and researching stones, and teams have been continuously developing new stone applications, and we hope that this exhibition will enhance the performance of stone in its design.

Q2: Natural stone is old building materials, which show the commonality of passing through ancient times through the constant use of new methods. Has this year been the third time in the Habitat design life festival, again joined by designers, and how different experiences and expressions have been gained in the use of stones?

A.2 Chen: Coming with different designers, each designer has its own understanding and creativity and, in the course of programme implementation, we have shown skill, structural and colour diversity with more thought and inspiration.

Reflection and presentation

Q1: The theme of this exhibit, The Stones, seeks to explore the diversity of human settlements life through the design expression, the possibility of excavating stones. The space of the Lilian teacher is particularly visible from visual standpoints, so would it be interesting to know what ways and means are it to call this subject?

A1: Zhao won: the space of the exhibit is small, but we hope that people will be able to walk in space and feel the stone throw. Thus, in space, we are dominated by a large white mass, while the Chinese Red introduces the penultimate of white purely ink space paintings, forming a stimuli of vision. At the same time, rocks are combined with silver lenses from different perspectives, positive, side-by-side, top-by-side, emailing the different sentiments of every human being, leaving a different mindset of life, erecting, tending to live in and giving people a sense of irrevocability.

Chart of the effect of the Rock

Q2: What is the question of how the programme is always understood? Are there any difficulties encountered in the programme sites?

A.2 Speak: There can be many imagination of stones, which can bring some surprise at each collision with different materials. This combination of glasses has given stone fingerprints a sound picture, which not only has a rich visual effect on space but also broadens the space extension.

This time, because of multi-quality combinations, we are more consistent and coordinated with regard to sewing processing, and with regard to the choice of material-readiness.

Chart of the effect of the Rock

Graphics and applications

Q1: What is the stone chosen by Zhao’s teacher during this campaign?

A1: Zhao Fortunate: In order to show a purely irrevocable space, we have used only a natural stone-Karala white. Through other lens, the space is provided with different perspectives, different facets and different lights of Karala.

Chart of the effect of the Rock

Q2: Karala, a classical white stone, is also a staggering product. What can be done in this programme?

A.2 Chen: Karala is the oldest and oldest white stone in Italy. It is widely used, including within and outside the building, on the table, on the ground, on the wall, on the background wall, on hand-washing, on day-to-day objects, etc., and is often used in well-known sculpture works. This exhibit, we exhibit more with its pure character, clean, succinct and sound fingerprints to present its space performance.

Kalala White picture

Advocacy and the future

Q1: A growing number of designers are now involved in various policy exhibits, which, in the view of the Lilian teacher, have implications for the designers?

A1: Zhao Jingye: The policy exhibit is a new way for designers to jump out of busy jobs. The policy exhibit is at a macro level to explore the linkages between design, products, business and consumers, and helps to develop their own vision and new design thinking.

Chart of the effect of the Rock

Q2: What is the view given to the “exploitation of the link between design, products, commerce and consumers” by the Lilian teacher? What are the plans for cross-border cooperation?

A2: Changing out: each material will have a different sense of quality, a historical culture of stone and a high-level, natural close-to-natural approach to us