This blog post is a brief overview of how we see music rights in web3 and more specifically, how we see music rights in the context of a DAO focused on collaborative music production.
With everwave, music is made collaboratively between people who, in most cases, don’t know each other. They have no existing agreements with each other, no pre-determination about how their rights as creative collaborators should be split, how those rights should be managed, etc. To avoid problematic situations caused by unjust exploitation or bad faith actors, we've worked to create a system that supports fair and equitable rights management of music created through everwave.
The everwave DAO acts as a central node for the rights management of all the music produced through our platform. Let’s try to break down the construction of a piece of music created through everwave, and see how this would play out:
The Musicians
Musicians provide the raw material that feeds the everwave creativity loop by recording their own original stems and uploading them onto the platform. It can be a bass line, a keyboard solo, a horn section, vocals, or any other musical element. We consider that these stems belong to the musicians who create them. They grant a free license to our DAO to use their elements in any way the DAO sees fit, relative to our tooling and creative workflow.
In return, the DAO rewards Musicians for their participation in a wave: they get to claim the Creativity Reward airdrop, as well as a percentage of proceeds from NFT sales and a share of exploitation through traditional music revenue sources. The everwave DAO is governed by its token owners: the Artists (our collective term for both Musicians and Producers), the fans, and any other token holders. Consequently, all Artists will be part of the governance and decision-making process, ensuring correct and fair compensation in return for the gratis licenses provided by Musicians to the DAO for their creative work. Instead of each person having to negotiate and manage their own rights individually, the community manages everyone’s rights collectively.
The Producers
Producers on everwave have a different role from Musicians. They are the ones who give shape and creative direction to all the stems that Musicians have contributed. Pulling from all the stems, the Producers choose what they would like to make use of and create their “versions”. It’s impractical to require each and every musical contributor to negotiate contracts and rights with each other every time they start an everwave collaboration. To address this, we’ve created a solution to rights management for a collaborative creative system that can both scale and retain its integrity.
On everwave, Producers use material provided by the DAO (through the gratis license agreed to by the Musicians) and create versions through a ‘work for hire’ type model where the hiring party is the DAO itself - which is governed by Musicians & Producers (the primary token holders). With this model, there’s no 3rd party exploiting creative work for their own benefit. We’re much closer to a collective approach to rights management, prioritizing fair remuneration to all contributing parties. As mentioned, the Musicians will own the rights to their own original stems, but the Producers will not own the rights to the versions they produce. Instead the DAO, which they all own a part of, will own these rights.
The DAO
We believe this is a new approach to collaborative music rights management, and an approach much more in line with web3 principles and DAO-style governance.
The everwave DAO will be the rights owner of the final creative products (the wave and the Producers’ versions). For the Musicians’ stem contributions, the DAO will have an unlimited license to make use of the stems, but will not own the rights to them. Our goal is not to expropriate artists from their creative work. Our goal is to find practical solutions for the management of collaborative work through a DAO structure, while keeping it fair and equitable for everyone involved. Here’s how we plan to achieve that through the everwave DAO using a hierarchy of governance levels and tokens:
In conclusion, each of these governance levels works somewhat like a Matryoshka doll. A higher level of governance can change how a lower level is supposed to work, but once the flow is defined, only that lower level gets a say in how to govern its own specific elements (community, waves, versions…).
We believe this is an ideal way to structure the system in order to make it as fair as possible for everyone. There’ll always be loopholes, and in our case there’s an obvious one: what if the $WVE holders decide collectively from now on, the rights for the Producers’ versions should be administered not by Ripple Token holders, but by the whole community of $WVE token holders? With the $WVE token being our highest level governance token and thus defining ownership of the DAO, this could always be a possibility. That said, there are two strong arguments to illustrate why this is an extremely unlikely outcome:
Considering this, we’re confident that our initial governance rules won’t be changed until such time that something even more fair and virtuous is proposed, and definitely not a change to something that would be detrimental to Artists.
everwave proposes a system for fair, equitable and fun creative collaboration that has a clear value offering for Musicians and Producers without having to concern themselves with negotiating rights and shares. We believe this is unique and much needed, and we’re excited to kick off this journey and see where it leads…