I recently finished writing a “whitepaper” titled The Universal Basic Whitepaper for the “Third Wave” of Crypto, which I also minted as an NFT. The idea was to do a small “proof-of-concept” for how publishing may work for artists and content creators in the near future, using crypto technology as its backdrop. During the research process I discovered a few things:
The good news is that the industry is moving in the right direction for now as many of these “needs” are already being worked on by various projects all over the world. But it will take some time because building an ecosystem requires multiple developments (some of them very ambitious and new) to be working in parallel and will need to be put together like a puzzle, at some point. (Details of this can be found in the whitepaper itself.)
The “lack of scarcity” issue has long been a problem in the online worlds, because if you think about it, if something can be duplicated endlessly (pictures, music, videos), what becomes of its worth? It’s supply and demand — when the supply is infinite but demand is finite, the worth of anything is effectively zero. This applies to everything we see online, everyday — memes, pictures, music, posts/articles/e-Books — even our online profiles, in themselves. Nothing on the internet right now is really worth anything, in other words.
Aside from the faceless numbers (often boosted artificially by bots and trolls) of what we call “engagement” (clicks, likes, comments, etc.) tech platforms don’t really see human beings behind the data that they collect — it’s just a number that they use in order to get a bigger check from the advertisers that they happen to be working with at the time.
The idea of an NFT is very interesting to a lot of artists out there because it seems, at least on its surface, willing to turn that model on top of its head. Something that is digital but unique in it of itself? Very interesting. What exactly makes an NFT valuable, however?
What gives NFTs their “value” is actually the author themselves “acknowledging” that the work is, yes, indeed by them. The blockchain is basically verifying the connection between the author and the buyer as being “authentic”.
Signed trading cards or product branding works the same way — while the materials to make the cards/shoes/purses themselves may be the same from the fakes out there, it’s the autograph by the author or serial number provided by the manufacturer that separates the “real thing” from the mass-produced or bootlegged goods out there.
Even within the crypto community some are skeptical of the idea that something can be worth more than its “inherent” value — the idea that someone would pay millions of dollars for a signature they find bewildering, if not impractical. But human beings have been doing this sort of thing since the beginning of time. The market for this type of “authenticity” is not only real, but a very big one, at that.
Besides, the way agreements work in more “serious” contracts aren’t that much different, either. Your deed to your property is just a piece of paper signed by a few “verified accounts” (you, the seller, and the government), after all. If the crypto world can figure out how to make trading cards work, it can make it work for bigger things like real-estate deals or multi-million dollar contracts as well. But first things first — we have to figure it out first where the stakes are lower, before we can realistically expect the “big money” to start pouring in.
The most successful artists in the NFT world right now have built their reputation through means outside of crypto — either through the Web 2.0 world, or in some cases Hollywood or even the legal system to do so. This was a way for the already-successful artists to “cash out” on their existing reputation — many of them, for very big profits.
For the average artist out there, however, it doesn’t come quite that easy. If they didn’t already build their reputation up until that point, many of them have found that selling their newly-minted NFT was very, very difficult.
But a lot those problems come from the fact that most people are still in the Web 2.0 mindset, where we’re used to thinking of our profiles, works, and expressions as largely “disposable”. When the profiles we see everyday — even by the “reputable” companies out there — are put on equal footing as the bots/trolls/scam accounts as every other person out there, how are we really supposed to know what’s really valuable or not? Simply replacing a social media profile with a “wallet address” is simply not enough.
As of now, there’s only one meaningful way to counteract the ills that the anonymous internet brings to the table: KYC, or otherwise known as “Know-Your-Customer”. Most commonly used in crypto exchange sites right now, this process (usually) requires a government-issued ID to separate “real” people from the bots and fake accounts out there.
Some in the crypto space are skeptical of KYC altogether, citing that it goes against the ethos of decentralization if you require users to identify themselves with a government ID. While they do have a point, as of today, there isn’t really a reliable way to do it, otherwise.
It isn’t a lost cause, however — there is actually a solution to this problem, which is to allow users to build their own “brand”, under a pseudonym of their own choosing. There is a long history of artists using pseudonyms as a way to express themselves without the fear of prosecution —which you can actually see commonly even today, where pretty much everyone online has used a pseudonym at one point or another.
Given how common it is, shouldn’t we be already there yet? What’s missing? What’s missing is the idea persistence and universality.
In the Web 2.0 world, your data doesn’t belong to you — it belongs to the companies that hosts your profile. (When it comes to social media, you are the product, as they say — in content-publishing platforms, even more so.) So you might make an account somewhere on some platform, do a few things, then when it’s done, you leave. But there is no way to carry that information over in a reliable way when you want to try something else, somewhere else. The blockchain, however, can fix this problem by allowing someone’s brand or identity to persist in a universal, authentic way.
Whether you decide to use your real name or pseudonym, the work that you put into it shouldn’t evaporate just because you moved, after all. With persistence also comes accountability, reliability, and a real opportunity to see something grow over the long-term, over time.
In a more practical sense, this means that one of Web 2.0’s base layers — the email (electronic mail, for those not familiar) — may actually be made obsolete with an identification layer powered by KYC or blockchain technologies. Emails are as disposable as social media profiles anyway — it was never really that great way to do things to begin with.
People complain about the “pump-and-dump” schemes online all the time, but that too, in a way, is a product of Web 2.0 mentality, where everything is seen as disposable — optimized for short-term thinking and gains. In the past there may have been no other choice, but with this new technology we have an opportunity to step out of that world altogether and move towards one that’s much more healthy and functional.
The technology to do it is already there. Will people make the leap of faith needed to work towards something new and better? Time will tell.