Republishing my original essay on collecting Botto's first artwork referencing a real-life political entity in its title.

Diego Trujillo Pisanty’s Blind Camera (2022) provides a compelling vantage point to reimagine the sights and sounds of Mexico City.

My reflections on my experience collecting digital art on the blockchain, and some thoughts on how to take this journey forward into the future.

On how I conceptualise the tools that crypto provides to support cultural production on the internet.

On how I see the internet evolving in the future, and what this would mean for the production and consumption of cultural assets online and onchain.