When the paintings of David Hokni, which were fresh, met with the classical university in the period of the renaissance of art, he would be better prepared. At the Fitz Williams Museum, Cambridge University, England, the exhibit “Hokney: the art and technology depicted” engaged in a more than 500-year dialogue and attempted to explore the ideas and theories of Hokni on technologies such as visual and video portrayers. In the view of the Guardian’s commentator, Joanson Jones (Jonathan Jones), the paintings in Hokni left those classical chores out of colour, and the exhibit, like a book under his note, would give rise to new ways of viewing the arts.