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Sound ⍜F Fractures

Sound ⍜F Fractures

Driven by building a listening experience that people can turn to when they want to feel something.
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Paint The Canvas With Your People

Hi, It’s been a while since I’ve posted! I have started to put tother a stock of SCENES at the half way point, but no-one can communicate the value of the project better than those who it has connected with on an emotional level. So, for this post im going to turn to Edaurdmsmr who has allowed me to share his message:
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SCENES

Rising UK-based electronic artist and producer, Jamie Reddington, better known as Sound of Fractures, announces the launch of his groundbreaking project, "Scenes".
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2 weeks from launch

It’s hard to know where to start right now.
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Sound of Fractures Token now with a revenue share model

Previous articles in the series
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Creating Alongside Expectation

Previous articles in the series:
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Building Worlds: Introducing the Sound of Fractures Token

Other articles in the series:
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The Real Friends ARCHIVE

The Real Friends ARCHIVE: the archive is way for me to mint the process of an entire project from conception to release. From the seed of the idea, to its development, to the planning and execution.
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Sound of Fractures Token

My vision is to re-imagine our relationship with music. Instead of traditional albums my goal is to create projects that experiment with emerging technology and build community. Sound of Fractures Token (SoFTKN) is a way to invest in Sound of Fractures and build new ideas on a project by project basis. Funds will go specifically into Sound of Fractures projects including, but not limited too: dev costs, design and marketing. Those who contribute above project-specific targets will get Executive Producer credit on those projects.
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Open letter

We need different voices , styles and approaches to help grow this thing. We need more artists to cross the tipping point of visibility and we need those artists to attract different types of people, with different interests and identities. We have a healthy and exciting scene that is growing but over the last year we have seen less and less artists develop to the higher levels of exposure, and the leaders of this movement have not been joined by new ones who could be attracting new audiences.